Ramblings about crap in my life.
Posts tagged leon
My “New” Top 10 of Movies
Dec 30th
I’ve had a pretty good idea of what my favorite 10 movies are for a couple of years now. The movies usually shift place once in a while, but new movies are rarely added to the list, which can be seen in its current state on this page. However, I recently stumbled upon a website called Flickchart, which makes you choose the better of two randomly chosen movies. If you do this long enough, a pattern should appear with your favorite movies climbing towards the top of your Flickchart, and this is what I’ve done. At the moment, I’m actually pretty satisfied with my “new” top 10, and I thought I’d compare it to my old one here.
My top 10 according to Flickchart:
10. Unbreakable (New)

My old no. 10 was True Romance, which is now off the list completely. I’ve always liked Unbreakable, but I’ve really gotten a new-found admiration for the movie over the recent year.
To me it is one of the best super hero movies out there, and one of Shyamalan’s finest. I’ve also always liked True Romance, directed by Tony Scott and written by Quentin Tarantino, two of my favorite action-movie filmmakers (although Scott hasn’t made anything but seizure-inducing, Denzel Washington-attending crap fests the last couple of years). Still, I’m okay with it going off the list.
9. RoboCop (8)

RoboCop is one of my favorite sci-fi movies, and probably my favorite which takes place in a dystopian, mega-corporation future. RoboCop was one of those movies I always watched when I was sick as a kid, and rewatching it about a year ago I fell completely in love with it again. Of the amazing Paul Verhoeven trilogy (RoboCop, Starship Troopers, Total Recall) this is the only one which made this new (and old) list.
8. Twelve Monkeys (7)

Moving down from a 7th place on the old list, we have Terry Gilliam’s Twelve Monkeys. I have a weird love-hate relationship with Gilliam, I watched The Imaginarium of Dr. Parnassus yesterday and didn’t like it, but Twelve Monkeys and Monty Python and the Holy Grail are some of my favorite movies. In Twelve Monkeys Gilliam mixes his weird style with a crazy time-travel story, which is one of the few of those that makes kind of logical sense. Also, Brad Pitt’s role is one of the best of his career.
7. The Sixth Sense (New)

Another new-comer on the list, also from Mr. Shyamalan. I had not watched this movie since its premiere, but watched it about a month ago and really, really liked it. It is no surprise that Shyamalan was hailed as the new great filmmaker after experiencing the suspense and plot twists in this movie, which work very well even if you know the ending.
6. American Beauty (9)

Moving up from no. 9 is Sam Mendes’ masterpiece about the depressed suburban father who’s had enough of his mediocre existence. I’ve loved this movie since the first time I saw it, and it probably deserves this higher spot on the list.
5. Pulp Fiction (4)

Another long-time favorite of mine, Pulp Fiction was probably one of those movies that sparked my interest in film. Loved by many, Tarantino’s masterpiece heralded a new era of cinema. I recently saw Inglourious Basterds for the second time, and even though it doesn’t quite reach the quality of Pulp Fiction I’m very happy that Tarantino is still making high quality movies.
4. Trainspotting (5)

Danny Boyle is one of my favorite directors, the man almost seems to take on a new genre with every movie and still manages to make some very original (28 Days Later, The Beach, Sunshine). Trainspotting is still my favorite of his movies and at this place on the list the movies are almost interchangeable when it comes to deciding my favorite.
3. Fight Club (2)

Fincher’s Fight Club is also one of those movies which instantly became a favorite of mine. The visual style, use of CGI, the plot twists, the acting, it all comes together very, very well. The old list had One Flew Over the Cuckoo’s Nest, which is now off the list completely. I’ve only seen that movie once and even though I loved it, it probably needs some rewatching before it gets back on the list.
2. Le fabuleux destin d’Amélie Poulain (1)

I never expected this to leave its 1st place (and it will probably go back on top when I watch it again), but at the moment I madly love the new top of the list. Anyway, Amélie is one of those movies that just makes you incredibly happy after seeing it. There’s a lot of gloomy, harsh movies on this list, so I’m kind of happy that I love this movie so much.
1. Léon (6)
The rank of this movie kind of surprised my (and actually made me make this post), but after rewatching it on Blu-ray a couple of months ago I had a hard time hiding how much I love this movie. It’s also one of those films that I’ve seen a bunch of times as a kid and come to appreciate with the years. The relationship between Léon and Mathilda (Natalie Portman’s debut role) is probably my favorite on film, especially because of Portman’s incredible acting. Apparently the relationship was supposed to have been much more erotic, as in Lolita, but that part of the script was discarded. I don’t know if I would’ve preferred that version, the relationship in the final movie is quite well-balanced, sometimes making you cringe, but not enough to make you dislike Léon (which the early draft might’ve done). Also, Gary Oldman plays Stansfield, one of the most terrifying villains I’ve seen. Anyway, incredible movie.
Closing Thoughts
I think I’ll use this list as my new top 10, and then use Flickchart to see if anything changes along the line. When writing this post I also realized (to my satisfaction) that I really love movies with Bruce Willis (The Sixth Sense, Unbreakable, Pulp Fiction, Twelve Monkeys). As a bonus, my favorite 11-20 movies, according to Flickchart, are: Oldboy, Magnolia, Seven, True Romance, The Terminator, Die Hard, The Big Lebowski, Battle Royale, Children of Men, and No Country for Old Men. However, these are probably not very accurate yet.
Early, more violent draft of Léon
Dec 18th
I just re-watched one of my favorite films, Léon – or The Professional. It is very satisfying to be stunned by the high quality of a film you haven’t watched in a while; nice to see your favorite films still got it. After watching it my interest for Natalie Portman peeked, so I searched for some YouTube-videos and stumbled upon an early draft of the film. It is much more violent, and the relationship between Léon and Mathilda is not as ambigous, but apparently Portman’s parents were unhappy with it, so it was rewritten. In her Inside the Actor’s Studio interview, Natalie also talks about having to plead to her parents after getting the part in the film. The entire interview deserves a look as well. Anyway, the differences between the final and original script can be read here, and as mentioned, it is very violent, for example here is an excerpt from the rooftop training session:
Mathilda concentrates again and shoots: nothing happens. Mathilda wonders whether she missed again and prepares for a new shot.
LÉON
Wait…The fatman softly leans down on his side.
LÉON
Bull’s-eye.Mathilda is happy but, evidently, she expected death to be more spectacular.
In the final script, they use paintballs. Overall there are a lot of training scenes with Léon killing people left and right. He is basically very cold-hearted, and in this version he also initiates the russian roulette scene, which can be seen in the “Long Version” of the film. The script also mentions some scenes with explicit sexual character:
Léon opens the door. Mathilda is naked and is brushing her hair. Léon closes back the door without entering.
LÉON (embarrassed)
Sorry. I heard “yes”, so I got in…Mathilda opens the door. She’s still combing her hair. She’s still naked.
Léon gives up, at last. She sweetly kisses him.
MATHILDA
Tongue, please.
Léon pushes her away, irritated.LÉON
No, that’s enough! Sit down, now.
And the most horribly disturbing scene of all:
She stands up and modestly gets off her briefs without taking off her dress. Léon cries, unable to oppose her. Mathilda is too young, but she’s also too beautiful and lovely and sweet and tender… She sweetly, very sweetly, gets on him.
LÉON (crying)
Why me, Mathilda, why me?
Mathilda leans over to speak in his ear.MATHILDA
…Because you deserve it, Léon…
Léon embraces her. He’s full of happiness, shame, so many emotions, he can’t control very well. But, hell, how beautiful it is seeing them sweetly making love.
And that is how you get a NC-17 rating in the US, and everywhere else… Some parts of the script do not really make sense though, e.g. according to the script Mathilda easily kills a man with the rifle, but later on they talk about how everything changes when you kill somebody. However the script seems valid and can be found several places online. I very much prefer the final version, the sexual character of Mathilda is very disturbing in this original draft, and Léon is very unlikeable, which seems logical at this point in the development stage, since the character is developed from Reno’s role as “The Cleaner” in Besson’s Nikita. Still, it is interesting to see how extreme Besson actually wanted the film to be.
Recent Comments